Friday, July 13, 2012
Phyllis McGinley said in Ballade of Lost Objectsin 1954
Sticks and stones are hard on bones Aimed with angry art, Words can sting like anything But silence breaks the heart.
Monday, July 9, 2012
paper, on it was love poème written in french
I am a string of paper dolls clipped to a clothes line, blank as a newborn baby hanging in the sunshine. where am I going? what am I doing here? i am starting to think that the people hanging up here with me are too much like how I used to be. waiting to be snipped down and used for something. Always waiting. All waiting. we are all waiting.
for 3 years I have screamed at the heavens, for giving me paper-cuts. what are we supposed to do with these, i asked. i cursed myself for drenching my already fragile skin with alcohol, make-up and lighting on fire rolled blunt tips.
my paper throat burned with a New Year affair and a knife named lust. I was dead before the first slit, drunk off the first sip, and lecherous at the first thrust. delirious and masculine. he was masculine and I was delirious. but only for a couple months, a couple hours, just a seasonal fancy.
I woke up today and I was no longer hanging by myself. A broken flower came and snipped me down. placed me in her backpack and pedaled me around.
for 3 years I have screamed at the heavens, for giving me paper-cuts. what are we supposed to do with these, i asked. i cursed myself for drenching my already fragile skin with alcohol, make-up and lighting on fire rolled blunt tips.
my paper throat burned with a New Year affair and a knife named lust. I was dead before the first slit, drunk off the first sip, and lecherous at the first thrust. delirious and masculine. he was masculine and I was delirious. but only for a couple months, a couple hours, just a seasonal fancy.
I woke up today and I was no longer hanging by myself. A broken flower came and snipped me down. placed me in her backpack and pedaled me around.
Tuesday, June 26, 2012
Tuesday, June 19, 2012
lunar cords
I feel so small, especially
when the Moon shines down
too many lines
too many sharps and flats
on my night
The problem with trying to
tie a string to someone is
when they leave you,
there is always either too much cords
or not enough, and
the emptiness is not puddles
but oceanic and
unrelenting.
The strands are thin tonight.
rejection
stings like the shallow cuts
in the strands that connects back to
my heart.
I keep giving pieces of myself
away and foolishly still
think I can stay whole.
when the Moon shines down
too many lines
too many sharps and flats
on my night
The problem with trying to
tie a string to someone is
when they leave you,
there is always either too much cords
or not enough, and
the emptiness is not puddles
but oceanic and
unrelenting.
The strands are thin tonight.
rejection
stings like the shallow cuts
in the strands that connects back to
my heart.
I keep giving pieces of myself
away and foolishly still
think I can stay whole.
Monday, June 18, 2012
Sunday, June 17, 2012
Saturday, June 16, 2012
Ode to the daydream
And so the adaptation begins,
The shift in status where ever it may stems from
starts to take place. This times my hearts been broken
And so right now the fucking blaring
brightness outside my window, is giving
pains to my eyes. This time my body doesnt have the energy
to move from these four walls.
And so the adaptation begins,
The shift in status where ever it may stems from
starts to take place. Open my eyes, But all I see
is systematic routine, assimilation and lifelessness
And so right now, meaning weeks I am haunted
by the memory of us, so smooth and
translucent. And This time it brush against the inside of my
lids gifting me a nocturnal vision of us with our
Closed eye, Lips Ice Time Open Rain Instinctual Sensuality
But now all I see is brightness outside my widow
that burns my eyes.
The shift in status where ever it may stems from
starts to take place. This times my hearts been broken
And so right now the fucking blaring
brightness outside my window, is giving
pains to my eyes. This time my body doesnt have the energy
to move from these four walls.
And so the adaptation begins,
The shift in status where ever it may stems from
starts to take place. Open my eyes, But all I see
is systematic routine, assimilation and lifelessness
And so right now, meaning weeks I am haunted
by the memory of us, so smooth and
translucent. And This time it brush against the inside of my
lids gifting me a nocturnal vision of us with our
Closed eye, Lips Ice Time Open Rain Instinctual Sensuality
But now all I see is brightness outside my widow
that burns my eyes.
Monday, June 11, 2012
Saturday, June 9, 2012
The concrete graveyard
at 1:48 Am. was quiet.
We the children of Kin & Kith, Night & Moon walked without worry of
aggressive street dwellers; through the cemented playground of human-kind.
After 10, torn & dirty jeans replaced pressed slacks; our shoes scuffed while theirs clapped.
"we are all the same difference" you said which I replied "not really"
I will never be invited in and I refused to drink the tea.
After 2:30 Am, when the last of the lushes and mate-seekers have driven away
from the blinking red and yellow street lights to their suburbian loneliness, all that remained is the memory of us suspended in a standstill.
Motionless in that splendor sandy, current. Like we were swimming in an unbreakable hour glass made of stainless steel hooks from which we were suspended in the moment, we Kin and Kith, children of Night and Moon kissed in the midst of an intersecting sea of concrete.
We the children of Kin & Kith, Night & Moon walked without worry of
aggressive street dwellers; through the cemented playground of human-kind.
After 10, torn & dirty jeans replaced pressed slacks; our shoes scuffed while theirs clapped.
"we are all the same difference" you said which I replied "not really"
I will never be invited in and I refused to drink the tea.
After 2:30 Am, when the last of the lushes and mate-seekers have driven away
from the blinking red and yellow street lights to their suburbian loneliness, all that remained is the memory of us suspended in a standstill.
Motionless in that splendor sandy, current. Like we were swimming in an unbreakable hour glass made of stainless steel hooks from which we were suspended in the moment, we Kin and Kith, children of Night and Moon kissed in the midst of an intersecting sea of concrete.
Thursday, June 7, 2012
Thursday, May 31, 2012
L’hymne au printemps, Félix Leclerc
“Mes cabanes d’oiseaux sont vidées
Le vent pleure dans ma cheminée
Mais dans mon cœur je m’en vais composer
L’hymne au printemps pour celle qui m’a quitté”
" My huts of birds are emptied
The wind cries in my fireplace(chimney)
But in my heart I go away to compose
The hymn in spring for the one who left me "
- The hymn in spring, Félix Leclerc.
Tuesday, May 29, 2012
Love poem (Three word Wednesday)
Dear Sky,
Your suppleness clouds my novice
thoughts
so much I become light in my
own body
A heavy tar escapes from my
grounded flesh.
As a way to give you a kiss
of gratitude I must ignite, into ash
billowing smoke signals. And
when my gesture of affection
rises softly and gently. I
sear into my chest the words
'With this distant eternal melancholic hearts
I'll long for you.' Just as I
kiss you on the cheek
Love,
Earth.
Saturday, May 19, 2012
Rotation (Circle)
now is this jazz
Post-modernism,
As we pass, the beat
But I tell you secret
no matter where the circle
is created
who is in it,
Left is always love
So make sure you are
my dear,
sitting next to me please
in the amnesia haze as we
fall into deep puddles
when our finger cross
and touch
I will pretend its
your hand in mine.
Because to take a
hold of another’s hand
is to break from living
individually Me.
It is to
momentarily entwine
your life with mines,
is to
promise, for a moment,
that you need
not face the
world alone
because once this circle
is broken.
no one is sure
between or betwixt
than him and her
slides in between
you and she
As we pass, the beat
leather couch but the floor
sitting not on a
leather couch but the floor
with a slender black cat
poised on my lap.
Post-modernism,
Definitely with a sprinkle
of Harlem Renaissance
We are all
sticky with ganja leaves.
As we pass, the beat
slides in between you and she
than him and her
between or betwixt
no one is sure
But I tell you secret
no matter where the circle
is created
who is in it,
Left is always love
So make sure you are
my dear,
sitting next to me please
in the amnesia haze as we
fall into deep puddles
when our finger cross
and touch
I will pretend its
your hand in mine.
Because to take a
hold of another’s hand
is to break from living
individually Me.
It is to
momentarily entwine
your life with mines,
is to
promise, for a moment,
that you need
not face the
world alone
because once this circle
is broken.
no one is sure
between or betwixt
than him and her
slides in between
you and she
As we pass, the beat
We are all
sticky with ganja leaves.
Harlem Renaissance
Harlem Renaissance
Definitely with a sprinkle
of Post-modernism,
now is this jazz
sitting not on a
leather couch but the floor
with a slender black cat
poised on my lap.
Tuesday, May 15, 2012
Wednesday, March 28, 2012
Fallen angels and Noose-like halos
Hey wake up!
What
the-!? Oh hey
what
are you doing down here?
I fell.
You
fell?
I fell and hurt myself pretty bad.
Lemme
see.
I pull
my halo down.
You watch as it slips around my shoulders.
You watch as it slips around my shoulders.
A ring
burns a mark into my flesh.
How
long has it been like that?
For
a while now, it hurts.
I
bet. You bleed so pretty though.
I wish it would stop.
Even as I choke on your
embers,
I still wanted to bring you back to me.
Except you hovered too high
Just out of my reach.
I still wanted to bring you back to me.
Except you hovered too high
Just out of my reach.
So
you fell?
Yes.
Who
made you fall?
I did.
Who
pushed you over the edge?
I swing my feet & advert my
eyes to the floor, bashfully
eyes to the floor, bashfully
I did.
And
now you are down here.
Is that a problem?
No,
never a problem for me, m’dear.
I blush billowing smoke &
warmth from within.
But,
why would you do such a thing
to yourself?
to yourself?
I didn’t want to feel any more
mouths that tasted too hollow to speak
mouths that tasted too hollow to speak
half-truths & empty lies.
So I let my halo slip and let myself free-fall.
Okay.
You
extend yourself & sit up in your bed.
Envelop
& pull me in towards your silvery psyche.
You
look tired, wanna lie down?
Why are you being so nice?
Because
I want to.
You turn your face into
my nook to kiss
my burning flesh & cry on the blacken blisters.
my burning flesh & cry on the blacken blisters.
I
don’t want to be a burden, I say.
Sweetheart,
so far you’ve only been a burden to yourself.
Your words sting with burning honesty
I withdraw into myself.
Your words sting with burning honesty
I withdraw into myself.
Calm
down and come lie down with me.
I
don’t want burn you.
I
wouldn’t mind if you did.
I step
my bare-feet to the edge.
You pull
your heathen ashen feathers
and presses it lightly into my skin.
I grip the marble sides of your bedpost
and presses it lightly into my skin.
I grip the marble sides of your bedpost
leaving
behind scorch trails and soot as I
climb
in.
I
feel right in here.
You
smile sadly with your eyes &
I sleepily blink mine.
I sleepily blink mine.
I
used to get really lonely, you know.
You
did?
Yea.
And
now you don’t?
You
shake your head and more grey feathers fall.
Nope,
not anymore I think.
What
happened?
You
finally decided to come down and
wake
me up.
Thursday, March 22, 2012
Joss Whedon
When I say, “I love you,” it’s not because I want you or because I can’t have you. It has nothing to do with me. I love what you are, what you do, how you try. I’ve seen your kindness and your strength. I’ve seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You’re a hell of a woman.”
-Joss Whedon
-Joss Whedon
Hold my hand.
Holding hands may seem like an innocent gesture, but they show more than a simple interlocking of fingers. Your hands are one of the most essential parts of your body: you build with them, feed with them, hold with them, touch with them, fight with them; they are the tools of the human body.
To take a hold of another’s hand is to break from living individually. It is to link yourself to another being, to momentarily entwine your life with another’s, to promise, for a moment, that you need not face the world alone. More simple, more aesthetically naive than other forms of affection, i.e kissing, hugging, sexing.., the act of holding hands is often trivialized in its true implications.
To take a hold of another’s hand is to break from living individually. It is to link yourself to another being, to momentarily entwine your life with another’s, to promise, for a moment, that you need not face the world alone. More simple, more aesthetically naive than other forms of affection, i.e kissing, hugging, sexing.., the act of holding hands is often trivialized in its true implications.
Friday, March 16, 2012
To be feared or loved
Would I rather have people fear me, or love me?
Answer is easy. Both.
I want people to fear how much they love me.